Maria-Eleonora is an actress. During a film premiere she leaves the screening hall and crashes her car into the concrete wall of a parking lot, killing herself. Her longtime friend and aspiring film director Peter try to find out the reasons behind this dramatic act and interviews her relatives, colleagues, closest friends. He adds to the interviews video footage that he himself shot during their life together and some film scenes in which Maria-Eleonora took small supporting parts. Thus, Peter creates the film "Scenes from the life of an actress". Peter learns that everyone has a story about what happened, but no one really knew the deceased actress. Peter didn't knew her too.

Portrait of the architect Raimund Abraham.

A casual, personal portrait of Hermann Nitsch, made with footage I took over the many years of our friendship. Footage includes early performances in New York, images of Hermann shortly after the acquisition of the Prinzendorf monastery, which since has become his main space of activity. You also see Hermann with his Vienna, New York, and Napoli friends, Peter Kubelka, Raimund Abraham, Gunther Brus, George Maciunas, Giuseppe Morra, and others.

Actress Nancy Olson details the average day of shooting for an actress.

The eternal triangle can change shape but always has three sides.

Katya's life is darkened by a tragic secret: her mother died when her daughter was very young. Suddenly, the girl learns the shocking truth: her mother is alive. The meeting between mother and daughter becomes an emotional challenge for both. On the one hand, intense feelings of joy and love. On the other hand, there is burden and resentment that has accumulated over many years of separation.

Two architects lose their heads over a glamorous actress.

Optimist Rachel Bailit introduces her life as an actress in Hollywood while inviting us into her vivid imagination and wishes for a safer and cleaner planet.

In a locked-down NYC, two priests open their church doors to those seeking salvation during the most isolating of times. From the commonplace to the truly metaphysical, their visitors reflect the full spectrum of personal crises of spirituality. Throughout their encounters with the city's sweetest, wildest and weirdest, the two priests learn the importance of connection, empathy and open-mindedness. Sometimes a little faith is all you need to make it through the bad times.

behind the scenes of Life of Crime